Evaluation Question 4 & 5

Evaluation Question 3 Part 2

This is the second part of my use of Voki to answer question 3.



I just made a new Voki. See it here:: http://www.voki.com/pickup.php?scid=9669169&height=267&width=200

Evaluation Question 3 Part 1

I am answering question 3 using a website named Voki.



I just made a new Voki. See it here:: http://www.voki.com/pickup.php?scid=9669153&height=267&width=200

Screen Shots

Here are some screen shots from editing my intro using Final Cut Pro and Motion 4.

 

 

Here are screenshots of all the final used titles in my thriller.

Evaluation Question 2

How does your media product represent particular social groups?

There are no particular groups of people of a certain age, race, gender, religion, ethnicity or culture. However I do believe that my thriller product does “speak” to a certain type of people who would enjoy watching my thrillers genre. These people I would associate as relatively within the ages of 15-60, any race, any gender, and any religion except those that view violence as particularly bad and any ethnicity or culture.

Speaking of culture however does raise the question of whether or not my thriller could be associated as a realistic possibility and whether or not it is more possible to occur in a certain culture. This is important to know as I would then realise these characteristics of my target audience and possibly alter the thriller or market it to certain people. This culture I see as possibly European, or American? I see it less likely to relate to audiences of other cultures such as Asian, African, South American etc. as the actors do not look like them or act in certain ways that the public from another culture would. The whole thriller is also set in the English countryside, and not somewhere else that other cultures may find easy to relate to. It is for this reason why I don’t think that any other culture would easily relate to my product.

Age wise, there are also small limits to which I think my thriller will be appropriate or enjoyable to certain groups of ages. For example I believe my thriller is not suitable for anyone under the age of 12 to watch, this is due to the large use of cigarettes, violence etc. And I also believe that anyone over the age of 60 may dislike the genre of a thriller but I could be wrong with that certain hypothesis. It completely depends on the own persons personal taste.

In conclusion I have not particularly “altered” my video to fit a certain social group’s perceived tastes. However I believe that my thriller rather fits into a universal social group of most people, which in general means that anyone can enjoy it but it purely depends on the own audience members personal tastes.

Evaluation Question 1

Original Prezi Presentation

Final Changes

I have now finished the intro and I am very proud of it! We had to make a very small amount of changes but I am happy they worked well and now compliment the intro well.

1. The first change was I could not film the actor William actually driving in the car, I wanted this as shown in the storyboard to show he was driving and make it more realistic however I could not since William was not comfortable enough trying to drive the vehicle.
2. Secondly I could not film the Actor Anthony hiding behind a tree/rock when he had fallen over, not only because it would have made my film too long but it also was very hard to find a realistic place that he could have fallen.
3. I could not get any titles made with a graffiti looking font on the tunnel, due to the program I was using not having a suitable effect.
4. In the last scene we took out the part of William standing over Anthony (the protagonist) as we found it took some of the suspense out of it, we also did not put the sound of a gun in as we felt this caused the same problem and instead left the audience eager to find out what happened with out it.

Adding Music

The use of music was a tricky subject for me, I wanted to keep my original soundtrack but found that problems in the sound made it seem worse than using music and I also thought a real musical soundtrack could help add more tension and suspense.

Therefor I have chosen to use a free uncopyrighted/royalty free music track called Stormdrum Rock I feel it is a very effective and suspenseful track to use and I now need to quickly edit this soundtrack to fit perfectly into my thriller intro.

Nearly Finished!

I am now very close to finishing my editing of Road Rage. I have put all of the scenes together in order, cut them and I have also added special effects and all the titles.

 

This is a screen shot of me editing Road Rage on Final Cut Pro, as you can see most of it is done I just need to add music and then I should be done!

Creating Titles

Today I made a plan of what titles I will put onto my intro, I will make the titles using Final Cut Pro and Motion 4 to create nice effects. And we obviously needed to make sure we included absolutely everybody involved in the making of the film to thank them.

1. Roduction Productions Present
2. A Leinad Eipo Film (My name backwards)
3. In association with Scary Sound Studios (Made to ripple in the puddle scene)
4. With Anthony Zorbis
5. William Stein
6. Stunt Driver Mary-Jane Opie
7. Keith Burgess
8. Director Daniel Opie
9. Road Rage

Start of Editing

I have now gathered all of the film needed and I am now uploading it onto Final Cut Pro.

The first thing I did was name all of the titles of the shots I had so I could easily organise and choose them when editing. I also took this time to delete any shots which I did not need or were not good enough.

I then started to add all the clips I wanted onto the timeline and I cut them into position so that they all fitted together.

Next I need to add titles and effects.

Pictures Of The Set

Here are a few pictures of us filming the thriller intro:

Planning My Thriller - Securing the Location

I have looked around my immediate vicinity that would be readily accessible for the logistical side of not only transporting myself and the equipment needed, as well as a location that my actors will be able to reach. But also the location would need to tick all the check boxes that will ultimately make my intro good. These include:

• Ergonomically if it is easy to film there.
• If it is safe to film there.
• If the set is aesthetically pleasing and accompanies my idea.
• If I am allowed to film there.

It is a huge importance to me that I did not film like many of my other students at our school Aldenham. My teachers have said that it has got very repetitive and boring watching everyone's films being set in Aldenham so I have chosen a place near it which has never been filmed before.

It is for all of these reasons that I believe I have found the exact perfect location to film at: Otterspool Lane, Bushey.

 

 

Permission Form - Vehicle

The following is a permission form that the owner of the vehicle I would like to use must fill out to give permission for us to use and film the car:

Permission Form - Actors

The following are two permission forms for my two actors Anthony and William:

Planning My Thriller - Shooting Schedule

The following is a shooting schedule I made to keep me organised and prepared for the day of filming:

Saturday 1^st February:

4:15 - Shot of Will dropping cigarette. (5m)

4:20 - Low shot of wills legs climbing into the car, and shutting door. (5m)

4:25 - Over shoulder shot of Will turning on ignition. (5m)

4:30 - Long Shot of Anthony running out the tunnel and into the woods. (10m)

4:40 - Pan Shot of Anthony running through the woods. (5m)

4:45 - Shot of Anthony getting up off ground and hiding. (10m)

4:55 - Headlights turning onto Anthony. (5m)

5:00 - Close up of Anthony’s face and hands shielding himself from the light. (5m)

5:05 - Long shot of Will aiming at Anthony on the ground. (5m)

5:10 - Shot of Will walking to Anthony in the headlights. (5m)

5:15 - Mid shot of Will bringing up the gun. (5m)

5:20 - Close up of Will with a serious face. (5m)

5:25 - Finished filming.

 

Sunday 2^nd February:

3:15 - Shot of Anthony’s feet running along the ground. (5m)

3:20 - The mid shot of Anthony’s torso looking around. (5m)

3:25 - Film the shot of Anthony’s foot running through a puddle. (5m)

3:30 - Shot of Anthony with his hands on his thighs, out of breath. (5m)

3:35 - Establishing shot of Anthony running on the road. (10m)

3:45 - Shot of car pulling out. (5m)

3:50 - Shot of car driving past. (5m)

3:55 - Low shot of car driving over camera. (5m)

4:00 - Establishing shot of Anthony running into the tunnel and car driving in. (10m)

4:10 - Over shoulder shot of Anthony running through the tunnel. (10m)

4:20 - Over shoulder shot of driver, through tunnel. (5m)

4:25 - Shot of Anthony running through tunnel and outside, shot on car bonnet. (10m)

4:35 - 1^st person view of Anthony running through the tunnel and looking back. (10m)

4:45 - 1^st person view of Anthony running along road. (10m)

4:55 - 1^st person view of running through the woods, and falling. (10m)

5:25 - Mid shot from passenger side, of Will driving the car. (30m)

5:55 - Over shoulder shot of Will driving. (10m)

6:05 - Low shot of Will driving over camera. (10m)

6:15 - Finished filming.

Planning My Thriller - Choosing Actors

Today I made final arrangements on who will be the actors in my thriller intro. For the antagonist I needed someone strong, tall and powerful. It is for that reason I asked my friend Will Stein (Age 17) to play this role.

The protagonist on the other hand had to be smaller, weaker etc. For those reasons I asked my friend Anthony Zorbis  (Age 17) to play this role.

I Will now refer to those roles with the actors first names that are playing them e.g. in storyboards and when writing in evaluation.

Final Draft Storyboard

 

 

Planning My Thriller - Props

Props will hopefully also add to my thrillers atmosphere, they will make the characters stand out and will obviously allow for a thriller that makes sense yet creates attitude and extreme tension.

The props I would like to use for the protagonist are just boots, I have chosen this as not only does it create a realistic association of what normal civilians wear. But boots also allow for a good universal footwear to record for the thriller, they would create a good ripple effect in the puddle scene and lastly will provide the protagonist actor with a safe stable footwear for continuous running through dangerous terrains.

The antagonist on the other hand will require a few different props. Firstly the character should wear dark sunglasses throughout the filming of the thriller, I want this because dark sunglasses aren't only considered a typical accessory of those type of characters but it also means that the audience cannot actually see the eyes of the antagonist, this gives off the impression the antagonist is inhuman, evil and without sole as they can see little emotion or life without seeing his eyes.

 

The antagonist will drive a black Ford Ranger as the pursuit/getaway car. I believe this is a good car to use as it is something that is large and powerful over ordinary cars just as is the story in my thriller.

 

 

 

Lastly the antagonist will use a black hand gun (Colt Defender), and a cigarette to make his demeanour and look complete.

 

 



Planning My Thriller - Draft Script

Today I made a draft of the storyboard I would like to use in script format:

• The first part will show the antagonist running away from the protagonist, this will be done through various shots, such as close ups and establishing shots of the protagonist running.
• We will then film the antagonist acting "cool" by filming him in dark sunglasses with him leaning on a wall smoking.
• Their will then be shots of the antagonist climbing into his car and driving off.
• The shots will turn to the protagonist still running yet getting tired with the antagonist getting closer and closer.
• Soon we will show the antagonist who catches up to the protagonist and will then taunt him, the protagonist will run off to an area where he can't be followed by the car but while running away falls over.
• Lastly we will film the protagonist being caught in the headlights like a hare being dazed into the lights as if he is hunted.
• It will end by the antagonist leaving the car and walking up to the protagonist, he will raise a gun but we will not know what happens.

I will use a lot of various camera angles, shots, equipment and editing tools to make this thriller intro unique, suspenseful and exiting. Even though I am not planning to have any talking in this intro as I feel if anything it will add to the tension.

The next step I will take is updating this draft script into a finalised storyboard.

Planning My Thriller - Costumes

Planning my thriller has caused me to think what are the general characteristics of some of the characters e.g. my antagonist is dark, mean, emotionless, and deadly. My protagonist is innocent, weak and scared. So how can I transfer these characteristics from the screen into the subconscious mind of my audience through costumes and props?

I have researched what costumes the characters should wear through looking up similar characters over the internet and other forms of media.

The antagonist is an easy choice for me, I have chosen for him to wear dark, smart yet serious clothes which will show off his attitude and demeanor. Similar characters are the classic bodyguard and assassin shown below:

These characters are often dressed in similar dark, serious clothes to my character, Items of clothing which I want my antagonist to wear are: a dark black coat, suit, black shoes and sunglasses.

The protagonist was a lot harder to figure out. I wanted him to seem very innocent and helpless. What I thought of doing was focussing on the protagonist acting as if he was an innocent civilian. I wanted to do this because I believed that if the audience where able to associate themselves with the character they could then realise this could happen to them and generally bring more tension into the film.

Here are some of he following type of casual items I would like my protagonist to wear to show he is a simple civilian:

 

 

As you can see very usual, normal, casual clothes that the actor can bring himself.

 

Before the filming of my thriller starts I will make sure all of the actors send me pictures or show me what they are planning to wear, if it does not fit with exactly I have shown here I will provide them with something that will.

Research on Target Audience

The following is some information I found in researching potential target audience, I will use this information to my advantage in trying to find out whether or not I should include certain characteristics in my thriller to attract a certain audience group.

Target Audience Expectations:

Thriller is a popular genre for film within mainly young adults aged 18-25. This is because people this age are usually drawn in by the intense storylines and graphic action, which is commonly seen within the thriller genre. Unravelling the narrative as it plays out in the film, and working it out whilst watching the films attracts older audiences them to this specific genre.

However, the different sub genres of the thriller genre appeal to different ages and audiences. For example, action thrillers appeal to a more male dominated audience aged around 15-30 as they’re drawn in the by the action and fast paced edits/camera angles, whereas a more female dominated audience would be attracted to romantic thrillers such as Wicker Park. This is because they can relate the characters and storylines within the film. For example, psychological/crime thrillers such as Silence of the Lambs, Dream House, American Psycho and Fatal Attraction attract a mainly male dominated audience of the typical young adult age. This is because they’re drawn in by the conventional male leads, and can relate certain characters to people they know or even themselves, connecting and engaging the audience with the film/characters (both protagonists and antagonists). This male age range is also drawn into the action aspect of the crime thrillers.  However, films that are supernatural thrillers (e.g. The Rite and The Others) appeal to more teenage – young adult female audiences, who are attracted by the ‘scare factor’ and possibly they will get scared or slightly affected by the film.

The generic target audience for thriller films expect a normal situation, which is effected by something negative and threatening. For example, in disaster thriller The Day After Tomorrow, everything is normal and life goes on as ordinary at the beginning, until the world begins to descend into disaster as freak storms occur. However, this is still something out of the ordinary disturbing the peace in a normal situation that seems realistic, which is something that the audience expect of thriller films.  Audiences of disaster thrillers similar to The Day After Tomorrowalso expect fast pace editing techniques, as they make the film more action packed and engaging. It also makes the film exciting to watch, and makes sure the audience are connected with what’s going on, which is what the audience expect of this genre.

Target audiences also expect to be thrilled and left on the edge of their seats by thriller films. A thriller film is deemed successful if it manages to achieve this. An example of a thriller managing to have this effect on the audience would be in thriller film Dream House starring Daniel Craig. This manages to leave the audience on the edge of their seats with the scene in the house, where Daniel’s character is fighting the antagonist. The audience are left watching in suspense to see if this character they’ve watched develop manages to overcome the one who is against him.
The audience also expects to be engaged with the characters and the storyline. The characters as they’re usually developed and have their own stories which are revealed to the audience, and the storylines because they involve the audience as they have to figure out the storyline along with the characters and unravel it themselves, which makes them want to watch more. In our own film opening sequence, we will do this by having our main character walking down the street with someone following her the whole way in the background without her knowing. Then, at the end she’s about to enter her house, he captures her, then that will be the end of the opening sequence. This will appeal and engage the audience as they will not know what will happen to her, unless they watched the whole film.

One of the conventions which the audience expect to see when watching films from the thriller genre is for the protagonist to have an ‘Achilles’ heel’ which the antagonist uses against them and uses it to try and defeat them. An example of this would be action thriller Taken, in which the antagonist takes a CIA agent’s daughter and the main character has to fight to get her back. We will incorporate this into our own opening sequence by having the main character on her own throughout the whole sequence, making it seem as if she’s an outcast, making her an easy target for the stalker as there will be no one else to intervene him kidnapping her.

Original article

Planning My Thriller - Ideas

I have now begun to start planning my actual thriller, today I have been writing down possible ideas to use. I came up with a few ideas and after asking around a few people and using the research I obtained,  I have came to the conclusion of using an original idea I had of a protagonist running away from a hit-man antagonist, who uses his car to catch and kill people as if he is hunting.

Preliminary Task

This is my preliminary task which was filmed and edited by me and others so that I could learn the basic techniques needed to make my final film, it was very useful learning how to setup the cameras and equipment, make areas available to film and also chose certain angles and film them too see how they worked. After getting the shots it was also extremely useful to start using Final Cut Pro to cut, organise and eventually finalise the short film. In general the preliminary task was extremely useful for me and should help in making my film.

Questionnaire Results

The following are the results of each of the questions that I included in my questionnaire:

1) The Results of this question are to be concealed so as not to invade people's privacy, I did however ask 6 people and got a wide range of names all of whom were not at all related.

2) I got exactly 3 males and 3 females to take part in the questionnaire.

3) Out of the six participants there were three participants in the 10 - 20 range, one in the 21 - 30 range, one in 31 - 40 range and lastly one in the 41 - 50 range.

4) The following were people's choices of the last thriller movies seen: Se7en (was chosen twice), Hannibal, The Orphan, The Dark Knight Rises and The Da Vinci Code were all stated.

5) Everyone stated how much they enjoyed the thriller they watched, There were absolutely no bad comments on any of the movies seen.

6) Thriller sub-genre's that were peoples favourite from the questionnaire were: Psychological thrillers (chosen three times), Action thrillers (chosen twice) and Conspiracy thrillers was chosen.

7) There was a wide range of answers for this question including Da Vinci Code, Reservoir Dogs and Shutter Island.

8) Question 8 was very interesting as it showed me what people enjoyed in a thriller and there was a wide range of results, ultimately each option got at least one person voting it as the most important part of a thriller, with suspense actually getting two votes as the most important. However Puzzles and mind games was voted the least important three times! As well as emotion getting two votes as the least important. Overall and in average people put the list into the following order with Suspense the most important, action, horror, Emotion and then Puzzles/mind games getting voted the least important.

9) There was also a wide range of answers for the participants favourite thriller actor: Tom Hanks, Bruce Willis, Nicholas Cage and Christian Bale were all chosen. I will take this into account by looking at what movies they have been and trying to see why they make that role popular.

10) The following are directors which were voted the best by the participants of my questionnaire: Christopher Nolan (for Dark Knight), Quentin Tarantino (for Reservoir dogs and Kill Bill) and Marry Harron (for American Psycho). Again I will have a look at the movies made by these directors and possibly use some of their techniques in my own movie.

11) The results of this question were not only very useful for me but also quite surprising and informative. I believed most people would chose the option of getting straight into the action with no credits. I was surprised to find most people actually chose a build up to the action with short credits. The other less popular option was long credits and then the least popular option was no credits and straight into action. This means I should put short credits onto a build up of action to really please yet also grab the attention of my audience.

Overall I found doing the questionnaire very useful and informative and it has definitely influenced what I would like to do for my final intro of a thriller.

Potential Target Audience - Questionnaire

The following is a questionnaire that I have made to gather more information on the type of film I would like to make:

1) What is your name?

2) What is your gender? (Please circle)
    Male     Female

3) What is your age range? (Please circle)
    Under 10   10-20   21-30   31-40   41-50   Over 50

4) Name the last thriller you watched?

5) What did you think about that thriller and why?

6) What is your favourite thriller sub genre?

7) What is your favourite thriller in that sub genre?

8) What is the most important part of a thriller? (Please rank from 1 being highest importance to 5)
    Suspense     Action      Emotion      Horror      Puzzles/mind games

9) Favourite thriller actor and why?

10) Favourite thriller director and why?

11) What characteristics of a thriller's intro do you prefer? (Please circle)
      Long credits    Short credits      No credits       Build up     Straight into   action

Film Classification Ratings - R18

What does R18 mean?

The R18 category is a special and legally-restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. R18 videos may not be supplied by mail order.

The following information on film ratings was obtained from the BBFC website.

Film Classification Ratings - 18

What does the 18 symbol mean?

Films rated 18 are for adults. No-one under 18 is allowed to see an 18 film at the cinema or buy / rent an 18 rated video. No 18 rated works are suitable for children.

Are there any limits on what sort of theme a work can have at 18?

No theme is prohibited at 18. Adults are free to choose their own entertainment provided the material is not illegal or potentially harmful, so it is possible some themes tackled at 18 may be offensive even to some adult viewers.

What sort of issues might I find in an 18 film or video?

18 works are for adults and can contain strong issues such as:

•   Very strong violence.
•   Frequent strong language (e.g. 'f***') and / or very strong language (e.g. ‘c***’).
•   Strong portrayals of sexual activity.
•   Scenes of sexual violence.
•   Strong horror.
•   Strong blood and gore.
•   Real sex (in some circumstances).
•   Discriminatory language and behaviour.

How much strong language can there be in an 18?

There is no limit on the number of uses of strong (e.g. 'f***') or even very strong language (e.g. ‘c***’) which can be passed at 18. Uses could be aggressive, directed, frequent or accompanied by strong violence.

What about discriminatory terms?

There may be racist, homophobic or other discriminatory language at 18, and the work could explore themes relating to discrimination.
Though a work as a whole must not be in breach of any relevant legislation, it is possible for discriminatory language or themes to be the main focus of the work, and for main characters to engage in discriminatory behaviour.

How much sex and nudity is allowed at 18?

There can be strong and detailed portrayals of sex at 18, including full nudity. There are no constraints on nudity in a non-sexual or educational context.
Very strong, crude and explicit sex references are permitted at 18.
An 18 film or video might also contain depictions of real sex, as long as the film or video is not a sex work.

What are sex works?

Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed 18. Those containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the R18 category. Material which is unacceptable in a sex work at R18 is also unacceptable in a sex work at 18.

What about sex education films?

Where sex material genuinely seeks to inform and educate in matters such as human sexuality or safer sex and health, explicit images of sexual activity may be permitted.

Can there be strong violence?

Yes, at 18 violence can be strong and be portrayed with strong detail. There may even be dwelling on the infliction of pain or injury, or scenes of strong sadistic or sexual violence.
The strongest gory images are permitted at this category.

What about horror films?

At 18, horror films may contain very strong horror, gore or sustained threat.

Can you see drugs in an 18?

Yes. At 18 drug taking may be shown but the work as a whole must not promote or encourage drug misuse.

What about dangerous behaviour or things teens or other viewers might copy?

Though 18 films and videos may cover difficult and strong subjects and themes, harm is still a consideration. Very dangerous or criminal behaviour (for example, behaviour which if copied poses a credible harm risk) may be cut.

If adults can watch what they want, what might be cut from an 18 work?

In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, the BBFC will not normally override the principle that adults should be free to choose their own entertainment.
However, cuts are occasionally made to 18 rated films and DVDs. Intervention is most likely in the following areas:

• Where the material is in breach of the criminal law, or has been created through the commission of a criminal offence.
• Where material or treatment appears to us to risks harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual violence which might, for example, make rape this violence look appealing, reinforce the suggestion that victims enjoy sexual violence or which invite viewer complicity in sexual violence.
• Where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in R18 works and, in ‘sex works’, would normally be confined to that category.

In the case of video works, which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.

Film Classification Ratings - 15

What does the 15 symbol mean?

No-one under 15 is allowed to see a 15 film at the cinema or buy/rent a ‘15 rated video. 15 rated works are not suitable for children under 15 years of age.

Are there any limits on what sort of theme a work can have at 15?

No theme is prohibited, provided the treatment is appropriate for 15 year olds.

What might I see in a 15 rated film or video?

Any of the following:

•  Strong violence.
•  Frequent strong language (e.g. 'f***').
•  Portrayals of sexual activity.
•  Strong verbal references to sex.
•  Sexual nudity.
•  Brief scenes of sexual violence or verbal references to sexual violence.
•  Discriminatory language or behaviour.
•  Drug taking.

How much strong language is allowed in a 15?

There could potentially be a great deal. At 15 there is no upper limit on the number of uses of strong language (e.g. ‘f***’).
Occasionally there may be uses of the strongest terms (e.g. 'c***'), depending on the manner in which they are used, who is using the language, its frequency and any special contextual justification. However, continued or aggressive use will not normally be passed 15.

What about discriminatory or offensive terms?

There may be racist, homophobic or other discriminatory language, and the work could explore themes relating to this.
However, at 15 the work as a whole must not endorse discriminatory language or behaviour.

How much sex and nudity is allowed at 15?

At 15 sexual activity can be portrayed, but usually without strong detail. Some sex scenes can be quite long at this category.
Though nudity may be allowed in a sexual context there will usually be no strong detail. There are no constraints on nudity in a non-sexual or educational context.
There can be strong references to sex and sexual behaviour, but especially strong or crude references are unlikely to be acceptable unless justified by context.

Sex and sex references are treated the same irrespective of sexuality

Can there be strong violence?

Yes, at 15 violence may be strong. It should not dwell on the infliction of pain or injury, however, and the strongest gory images are unlikely to be acceptable.
Strong sadistic violence is also unlikely to be acceptable.

What about sexual violence?

There may be detailed verbal references to sexual violence (for example descriptions of rape or sexual assault in a courtroom scene or in victim testimony) but any portrayal depiction of sexual violence must be discreet and justified by context.

What about horror works?

At 15 there can be strong threat and horror as long as there is no sustained focus on sadistic or sexualised threat.

Can you see drugs in a 15 rated film or video?

At 15 drug taking may be shown but the work as a whole must not promote or encourage drug misuse (for example, through instructional detail).
The misuse of easily accessible and highly dangerous substances like aerosols or solvents is unlikely to be acceptable at 15.

What about dangerous behaviour or things teens might copy?

We consider the risk of potential harm to impressionable teenagers. For example, dangerous behaviour such as hanging, suicide and self-harming should not dwell on detail which could be copied.
Whether the depiction of easily accessible weapons is acceptable will depend on factors such as realism, context and setting.